A blurred image forms on a white screen. A horizontal strip of face, eyes motionless and unblinking.
DAVID (V.O.)
Take trust, for instance, or friendship: these are the important things in life, the things that matter, that help you on your way. If you cant trust your friends, well, what then?
EXT. DAWN
A series of fast-cut static scenes of empty streets.
DAVID (V.O.)
This could have been any
Macbeth Script
Double, double, toil and trouble;
Fire burn and cauldron bubble.
Pour in sows blood
that hath eaten her nine farrow;
grease thats sweaten from the muderers gibbet
throw into the flame;
finger of birth-strangled babe,
ditch-deliverd by a drab;
Make the gruel thick and slab,
like a hell-broth boil and bubble,
for a charm of powerful trouble.
When shall we three meet again?
In thunder
All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K"
Me Myself And Irene Script
I got a star on my car and one on my chest
A gun on my hip and the right to arrest
Im the guy whos the boss on this highway
So watch out what youre doin when youre drivin my way
If you break the law youll hear from me l know
Im working for the state Im the highway patrol
Well, you know me when you see me cause my doors painted white
My siren a- screamin and my flashin r
H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squ
THE THING
Screenplay by
Bill Lancaster
From the story "Who Goes There"
by Don A. Stuart
SECOND DRAFT
March 4, 1981
CAST
MACREADY 35. Helicopter pilot. Likes chess. Hates
the cold. The pay is good.
GARRY 46. The station manager. Stiff. Ex-army
officer. Wears a handgun.
CHILDS 33. Six-four. Two-fifty. Black. A
mechanic. Can be jolly. But dont mess.
BLAIR 50. Sensitive. Intelligent. Unassuming.
An a
This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fear. Ash speaks to the CAMERA with urgency:
ASH
Why would you say that I am insane? I wouldnt say that Ive lost my mind simply because Ive heard the voices and seen the godless things moving in the woods. If anything, I think more clearly now than ever before. I know now that there is such a t
During the SONG we see snatches of the films mentioned in SONG. They look old and scratched and they are INTERCUT with flashes of white screen, burnt celluloid, etc.
SONG: "Science Fiction Double Feature"
THE DAY THE EARTH STOOD STILL - THE END SEQUENCE OF THE ROBOT CARRYING THE HERO
VOICE OVER
Michael Rennie was ill.
The day the earth stood still
But he told us where we stand
WIPE TO:
FLASH GORD
"BATMAN RETURNS"
1 INT. A STUFFY MANSION--A NIGHT ABOUT FORTY YEARS AGO 1
The viewer floats through an overbearing mansion and
up its sweeping staircase to where a stern man in
conservative dress is pacing back and forth, smoking a
cigarette in a cigarette holder. He is the FATHER. The
throes-of-labor pants and moans of the MOTHER can be
heard from down the hall.
Now, eerie Gaas and Goos chill th
SCREAM 3
EHREN KRUGER
2nd DRAFT - REVISED
MAY 2, 1999
FADE IN:
A big dramatic crescendo as we --
OPEN ON:
EXT. HOLLYWOOD FREEWAY - SUNSET - AERIAL
Friday night traffic as usual. Things appear to be backed up all the way to
the valley. A cacophony of car horns rise up on the soundtrack as we slowly
DISSOLVE INTO:
INT. FORD EXPLORER - NIGHT
A new 99 Explorer sits in the midst of the gridlock. Beh